Thursday, April 1, 2010

Linsey Dawn Mckenzie Belly

opening concert of the XXII edition of the "old organ" THE PROVINCE OF BOLOGNA


Andrea Macinanti [artistic director]





Music by

NINO ROTA

(1911 - 1979)


Arcangelo Corelli

(1653 - 1713)


Marco Enrico Bossi

(1861 - 1925)


Heinrich Ignaz von Biber

(1644 - 1704)

FELICE MORETTI

(1791 - 1863)


Francesco Maria Veracini

(1690 - 1750)


GIULIO VIOZZI

(1912 - 1984)


GIUSEPPE TARTINI

(1692 - 1770)


CAMILLE SAINT-SAËNS

(1835 - 1921)






Soprano, HIROKO MIURA

Duo Merveille de I Solisti Laudensi:

Violinista: ABIGEILA VOSHTINA

Organista: FABIO MERLINI


Hdmi Receiver No Audio

Moratti From the Gelmini: at worst there never end!




reported for the article in full musicologist Claudio Bolzan about the serious situation of education in Italy music, as it has been published in the April issue of the journal "music"



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's polemic in April 2010

What high school musical?




With the launch of the reform of secondary education and the consequent disruption to the precarious situation of teachers and a drastic reduction in the time framework, especially in technical and professional, has emerged in all its drama, the question of the new high school music and dance. Not a few, in fact, the questions raised by managers, teachers, trade unions, local administrations. A first question concerns the number of these new institutions. According to the latest reports (but the situation is not clearly defined), the musical high schools will be allowed in all 23 (and not 40 as suggested at first) and one choral (in Rome), established on the basis of experiments carried out until now. The question is at this point: Why only 23? It 'clear that many young people from middle school musical will not be able to access, as will be further deprived of their musical training, since the music is totally excluded from most other colleges.
Another serious problem is then the recruitment of teachers: Who will teach the subjects to address (instrument, music history, harmony, theory and composition, etc.).? Even in this case the fog is thick. The Conservatives are generally opposed to a recruitment made in them and top-down, since this would mean a real downgrade: the rest of the salaries of teachers of high school are much lower than those of the teachers of the Conservatory, in the face a greater number of hours of work and activities of non-teaching. It is not clear then what criteria should be recruiting. At first it seemed that were to be used those who had earned a master's level (o specialistica), come sarebbe logico; di questo però non si parla affatto, così come non si parla di indire nuovi concorsi pubblici, anche perché ciò significherebbe un sostanziale incremento delle spese da parte dello Stato, mentre, si sa, la riforma dovrebbe avvenire senza eccessivi oneri!
Il senso di frustrazione da parte di chi ha tanto investito nello studio e nella formazione artistico-musicale non può che essere enorme. Inevitabile, a questo punto, un’altra domanda: a quale scopo sono state istituiti i corsi di laurea di secondo livello? Per arricchire ulteriormente il numero dei precari e dei disoccupati? Per un semplice adeguamento dei Conservatori alle Università? Ad ogni modo una convenzione tra i futuri High schools and music conservatories is required for ministerial regulations in order to establish criteria for the entrance exams in the transition from middle school (with musical direction) to the same high school, to determine the requirements of staff for the contributions of the Conservatory on all 'teaching of certain subjects, for assessment of competence to be fixed for the admission of students leaving the high school. Even so the schools have already activated the Venetian, giving rise to a consortium of seven Conservatives in the area, the consortium that has been placed in close liaison with the Regional School Office in order to initiate reform in a serious and staff. Many problems, in short, and still unclear: the next day would still be decisive in order to better understand what the future education of young people interested in music and the fate of those who would like this art and could teach it.


Claudio Bolzan


Thursday, February 25, 2010

Soul Silver Rom English

Organ Prelude (March 2010)




ORGAN PRELUDE

IN SAN LUCA

Giuseppe Rotelli (1901)


March 6, 2010 at 17, 30



PROGRAM



PETRAL VINCENZO ANTONIO (1830-1889)

" THE PRINCE OF BODIES »



- Preludio ( Messa Solenne in Fa )


- Adagio per Voce Umana


- Ricercare in la ( Tre Ricercari servibili per l'Elevazione )


- Search in F ( Three Ricercari deployable for elevation)



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Michele Bosio, organ